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Eye of the Dolphin is a family drama that will appeal to anyone who likes movies with the hard edges blunted and the narrative bumps smoothed. There's real heart to be found in the story but it comes along with borderline saccharine sentimentality,...

Failure to Launch fails at more than just launching. It fails at romance and comedy. It fails to make the lead characters interesting and their love affair believable. And it fails to develop a consistent tone that would enable viewers to suspend...

Pretty pictures - that what The Fall has to offer. It's impossible to debate director Tarsem Singh's (or the single-monikered "Tarsem," as he prefers to be called) flair for the visual, and his four-year odyssey across more than two-dozen countrie...

In the late 2000s and early 2010s, the cinematic YA flame burned hot and bright but, like many such fires, it quickly exhausted its fuel and was snuffed out by fatigued and uninterested audiences. Although YA novels continue to generate health...

As a stand-alone spin-off that takes us back to the enchanted world of Harry Potter, Fantastic Beasts and Where to Find Them provides an engaging two hours. As the beginning of a new fantasy/adventure series intended to span several chapters, its suc...

Fargo takes the usual "caper gone wrong" storyline and applies a new twist. Based on a supposed series of "true events" from 1987 (a tongue-in-cheek claim made by a screen caption), the film examines what can happen when the police and criminals a...

"Mindless entertainment": that's a phrase that will be repeated often enough in association with Fast & Furious 6, which exists purely to showcase how idiotically over-the-top action sequences can become when annoyances like gravity are tossed to t...

Optimism springs eternal. I went to the third Fast and the Furious movie with the deeply held conviction that it had to be better than 2 Fast 2 Furious (or whatever that misbegotten turd of a second movie was called). I was right, but "better" do...

The idea underlying Fast Food Nation is intriguing: take the premise of the best-selling non-fiction book by Eric Schlosser and convert it into the backstory of a fictional film. Where director Richard Linklater runs into trouble is in the executi...