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The Fountain is Darren Aronofsky trying to be Stanley Kubrick. However, while Aronofsky is able to match Kubrick frame-by-frame for ending ambiguity, that's one of the few areas in which The Fountain keeps pace with 2001. Technically, this is an im...

From time-to-time, it can be refreshing to sit back and watch a tautly-made thriller where the characters (and their actions) are constrained by the laws of physics and tension is allowed to ebb and flow as circumstances warrant. If Quentin Ta...

Freedomland is one of an increasingly endangered species: the adult movie that's about something. By "something," I mean a serious issue - the kind of thing films shy away from for fear of alienating viewers. Underneath the trappings of a police ...

What happens when you cross The Brothers Grimm with David Lynch, and throw in a little Quentin Tarantino for good measure? The result, or something very much like it, can be found in Matthew Bright's brilliant, incisive satire, Freeway, which upda...

The Frighteners isn't a bad film, but it is a disappointment. Following director Peter Jackson's powerful, true-life matricide tale, Heavenly Creatures, The Frighteners falls short of expectations by being just one of many in the long line of 19...

It's great fun, but certainly not great art. From Dusk Till Dawn, a special effects blood-and-gore extravaganza from director Robert Rodriguez, follows in the footsteps of such cult classics as Sam Raimi's Evil Dead series, thumbing its nose at con...

From Russia with Love, along with its successor, Goldfinger, represents Bond at his best. Although the series has run for more than thirty years with seventeen "official" entries, it has yet to better, or even equal, what it achieved in 1963-19...

Fur uses the real-life name and some of the real-life background of photographer Diane Arbus (Nicole Kidman) as the launching point for an entirely fictional romance. The movie is open about its aims and doesn't try to hide the fact that this is n...

What movie-goers find funny has changed since the end of the silent era. Many of the pratfalls and hijinks that so delighted audiences in the 1910s and 1920s have long since ceased to provoke anything more full-bodied than a chuckle. Neverthel...

Let me begin this review of the 2016 Ghostbusters remake by pretending there was no 1984 iteration. How enjoyable would the film be if it didn’t have such enormous baggage, if it didn’t emerge under the long shadow of a beloved predecesso...