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Happy Feet is a weird movie. No one can accuse director George Miller and his co-writers of playing it safe, but there are some genres - such as family-friendly animation - where adherence to conventions can be viewed as a positive trait. 75 minu...

When it comes to golf comedies (not a very popular genre, apparently), the film residing at the dubious pinnacle is Rodney Dangerfield's Caddyshack. Happy Gilmore, the new release featuring Saturday Night Live alum Adam Sandler, tries gamely to att...

Hard Candy is the kind of uncompromising independent motion picture that is likely to foster ambivalence in a significant portion of its audience. Admittedly, the film doesn't stand up well to a careful postmortem (many psychological thrillers don...

First and foremost, Harsh Times is a character study of a man whose psychotic dark side is rising up to dominate his personality. However, it's also a look at how war, because of its need to legitimatize killing and turn people into weapons, can r...

There are no tumbleweeds in Hell or High Water, but there might as well be. The Texas terrain, as bleak and barren as any landscape this side of Tombstone, is a constant presence, as forceful a character as any played by a human actor. It speaks of p...

Hidden Figures is an old-fashioned inspirational tale about the undertrodden overcoming. Based on real people, real times, and real events, the film uses the never-say-die attitudes of three women to provide a window into the racism and sexism that p...

One could make a solid argument that the 2006 remake of The Hills Have Eyes is superior to the 1977 original. The story has been tightened up, the acting is better, and the blood-and-gore effects aren't as hokey. Unfortunately, the biggest stumbli...

1986's The Hitcher is not representative of a classic of the 1980s horror boom, so the decision by Michael Bay and company to re-make it is merely unnecessary, not sacrilegious. 20 years later, the original stands up well; there is no need to re-i...

In the tradition of Shattered Glass and Catch Me if You Can, The Hoax presents the anatomy of an audacious con artist and illustrates how the sin eventually catches up with the sinner. Due to an uneven tone, various unresolved plot threads, and a ...

Hokum is a claustrophobic horror movie that mixes supernatural elements with human immorality. Although not technically a murder mystery, aspects of that genre can be found in the bare bones of the narrative. The film's main driver is a sense of i...