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Movies have always used the "from the makers of..." line. You know, "a new film from the makers of Lawrence of Arabia" or "a new film from the makers of Glory". Kingpin employs this time-honored tradition, except, in this case, it proudly cla...

Sexual taboos come in all shapes and forms -- bestiality, pedophilia, incest -- but none creates a more vivid image than that of necrophilia. So, when I say that Kissed is the character study of a necrophiliac, recognize that this film is intended...

It has often perplexed me why there have been relatively few fantasy adventure animated films. With their mix of monsters, magic, and heroism, they would seem to be an ideal fit to captivate the imaginations of children and adults alike. Putting asid...

Kung Fu Panda 3 falls on the kids-only end of the family movie spectrum. Unlike the best animated films, Kung Fu Panda 3 is content to appeal primarily to younger viewers, offering little of substance for the parents who accompany them to theaters. I...

La La Land, Damien Chazelle’s much-anticipated follow-up to his stunning 2014 feature debut, Whiplash, illustrates the magic that can result when a director is fully committed to a vision. Chazelle doesn’t just want to tell a story (altho...

Fantasy in the 1980s had a “cutesy” problem. Setting aside the deliciously bloody Schwarzenegger Conan the Barbarian, the field was littered with productions steeped in the belief that fantasy=children’s fare. Whether it was Disney’s b...

When you consider a modern day fairy tale, no matter how twisted, ideal descriptions include "enchanting," "engaging," and "magical." They do not include "silly," "ridiculous," and "laughable." Unfortunately, in the case of Lady in the Water, the...

Although this may amount to oversimplification, Alejandro Agresti's The Lake House is essentially a romance between two people connected by a time-traveling mailbox. As premises go, this has the virtue of uniqueness - Hollywood doesn't churn out t...

The Last King of Scotland, in addition to having one of the most misleading titles of any movie to open this Oscar season, could also be 2006's Hotel Rwanda. Like last year's sadly overlooked feature, this one peers into another troubled African na...

I recommend The Last Kiss, but not without a misgiving or two. This movie is essentially a celebration of yuppie angst. It's about people in their late 20s who have issues with commitment and monogamy, who have lost their way and are trying to fin...