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Winner of the Camera d'Or at the 1996 Cannes Film Festival, Love Serenade, the feature debut of Australian director Shirley Barrett, has the kind of nasty, biting wit that juries at film festivals seem to appreciate. For the most part, movies ...

As straightforward “based on a true story” movies go, Loving is a strong account of the key factual events that led to the landmark 1967 Supreme Court decision overturning anti-miscegenation laws. Effectively acted and occasionally moving...

In the decade of the 1980s, when the teen movie was redefined as either a juvenile sex comedy or a bloody slasher movie, Lucas became one of the few exceptions to try a different approach. Even today, thirteen years after it first played in theate...

Lucky Number Slevin is a fascinating case study of what might result if Quentin Tarantino directed a script written for Alfred Hitchcock. From a screenwriting perspective, this is pure suspense, with twists that would appeal to The Master, includi...

Call it the law of diminishing results. Akira Kurosawa’s 1956 classic The Seven Samurai (the first time this story was made into a movie) is a great film - a contender for one of the best 100 motion pictures of all time. (It’s at #32 on m...

A Man Escaped is widely considered to be among French director Robert Bresson’s greatest achievements (if not his greatest achievement). Along with his other highly-regarded films, Pickpocket and The Trial of Joan of Arc, A Man Escaped emp...

There are times when A Man for All Seasons seems like an older, gentler uncle to George R.R. Martin’s Game of Thrones. (Martin was in part inspired by some of the more salacious and bloody episodes of English history, particularly during th...

Talk about a movie with an identity problem! Man of the Year doesn't know what it wants to be and, because of this indecision calls to mind a well-worn phrase: "Jack of all trades, master of none." The film contains elements of a comedy, a thrille...

"When the legend becomes fact, print the legend." That single quote, uttered by newspaperman Maxwell Scott (Carlton Young), encapsulates the primary theme of John Ford's last great Western, The Man Who Shot Liberty Valance. Truth is only meanin...

For a small percentage of people, grief can be a catalyst. For most of us, however, it’s a paralyzing force that threatens to entomb us in a coffin of sorrow and despair. Most movies, in attempting to depict this, fall into an abyss of melodram...