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When it comes to the pantheon of the Worst Movies Ever Made, there are only a few challengers to the title claimed by Plan Nine from Outer Space. One of those is Tommy Wiseau’s universally derided 2003 debut feature, The Room. Instead of fad...

Showing great restraint and refusing to demonize the closed community in which the story transpires, director Sebastian Lelio has tackled the age-old tale of forbidden love and its implications for those who fight for freedom and choice while ...

Disturbia is a nice little mystery thriller that takes a wrong turn on the way to its climax and morphs into a slasher movie. This abrupt change in tone is as jarring as it is unwelcome and transforms what could have been an effectively tense conc...

For many people, there is no hell more unimaginable than having a healthy, active mind trapped in a paralyzed husk of a body. Some of those in this situation seek a quick end to their misery (as was the case with Ramon Sampedro, whose tale was dra...

Dog Day Afternoon was unquestionably one of the most memorable films to emerge from the pre-blockbuster era of the mid-1970s. Headlined by Al Pacino and John Cazale—both elevated to A-list status by the two Godfather films—and directed by vete...

Don't Look Now, Nicolas Roeg's nighmarish and atmospheric 1973 classic, takes the viewer on a winding, unpredictable trip that starts as a meditation on grief and ends as a supernatural thriller. It's a stark, tragic melodrama that veers off into ...

Al Pacino in a Mafia movie feels as natural as peanut butter with jelly. Mike Newell, the director of such popular British comedies as Enchanted April and Four Weddings and a Funeral, is another matter altogether. When you think of a director...

This review contains spoilers. I try to be discreet about them but they are there.No one can dance through genres as blithely as Francois Ozon. From the comedic drama of Water Drops on Burning Rocks to the mystery of Under the Sand to the ecce...

For a movie about small people, Downsizing certainly thinks big…too big, perhaps. Director/co-writer Alexander Payne has done such a good job of world-building that there are far too many ideas, subplots, and opportunities for one two-hour f...

In recent years, I have complained about the inability of movies to close strongly. Numerous films with promising beginnings and middles have fallen apart at the end. Thankfully, that's not the case with The Dukes, where a satisfying final half-h...