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Face/Off, the third English-language feature from acclaimed Hong Kong director John Woo, isn't the best movie of the summer, but it certainly features some of the best action. Woo, who is known and appreciated for his unique stylistic approach to ...

Be careful what you wish for, you may get it… For non comic book fans over the age of 13, Fantastic Four: Rise of the Silver Surfer is a tedious, incoherent bore. For comic book fans of any age, it is an atrocity - the cinematic desecration o...

What has been true for the past few Fast and Furious outings is even more true for this one: the films have devolved from street racing-centered action/crime thrillers into live action cartoons. Plot and character development are irrelevant. Ac...

Fathers' Day simply has to be seen to be believed. It's beyond my comprehension how a motion picture with so much talent associated with it -- actors Robin Williams and Billy Crystal, super-producer Joel Silver, and director Ivan Reitman -- can be...

It's a little surprising to encounter a film like Feast of Love in multiplexes, because it is made for adults. After a summer of pyrotechnics and incredibly dumb scripts, it's a change of pace to find something that aspires to run for 100 minutes w...

Anyone who has missed Basil Fawlty since the end of the BBC TV series Fawlty Towers need look no further than Fierce Creatures. Although age had mellowed him a little and he's going by a different name, there's no doubt that John Cleese's ...

The Fifth Element uses one of the newest tricks in the science fiction motion picture handbook: perform a visual and aural assault on viewers in the vain hope that they won't notice the lack of substance, logic, and intelligence. For a few recent...

It is, as they say, what it is. Fifty Shades Darker, the sequel to the critically panned but fan-loved Fifty Shades of Grey, will likely satisfy those who liked the first film (or the books upon which the movies are based) while distancing everyone e...

Despite some great acting, Film Stars Don’t Die in Liverpool is a largely unpleasant viewing experience and the downbeat tone isn’t helped by a narrative that flits back and forth in time without rhyme or reason, sometimes confusing the vie...

No one could accuse David M. Evans of a lack of ambition. In The Final Season, he takes a standard sports cliché - the underdog team facing a big game - and grafts onto it countless mediocre subplots. There are so many, in fact, that it would tak...