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When it comes to motion pictures, there are essentially two kinds of thrillers: visceral thrillers, which rely on action to generate tension and excitement, and intellectual thrillers, which burn more slowly but are often more satisfying in the end...

Celebrated South Korean writer/director Bong Joon Ho has a resume any self-respecting filmmaker would envy, with titles like Memories of Murder, Snowpiercer, Okja, and the Oscar-winning Parasite shining the brightest. Sadly, Bong’s latest, an ad...

One thing is certain about Clint Eastwood: he doesn't play it safe. Two years ago, he surprised just about everyone (and gave his fans a collective apoplexy) by directing and starring in an ultra-sensitive tearjerker called The Bridges of Madison...

Midnighters takes a common situation – one fueled by too much alcohol and too little attentiveness while driving – and uses it as the jumping-off point for a series of events that puts a working class couple’s life into a tailspin. With ...

The Midwife has two things going for it: Catherine Frot and Catherine Deneuve. There’s no disputing the quality of acting in this film, at least insofar as the leads are concerned. Unfortunately, almost everything else in Martin Provost’s ...

Most world renowned people have achieved that status as a result of something accomplished during their lives. Unfortunately, Daniel Pearl was among the few who became famous as a result of his death. Pearl's kidnapping and subsequent death at the...

Yes, Virginia, there is a Santa Claus. Every year around the Christmas season, it seems impossible to turn on the television without seeing either George Seaton's Miracle on 34th Street or Frank Capra's It's a Wonderful Life. Like Handel's "Me...

The Mist is what a horror film should be - dark, tense, and punctuated by just enough gore to keep the viewer's flinch reflex intact. In fact, that movie's ending is so uncompromising that one must assume director Frank Darabont had final cut so t...

A slickly-made exploitation film set during the War of 1812, Ted Geoghegan’s Mohawk is taut, bloody, and uncompromising – all with a dollop of social commentary thrown in for good measure. Like the recently released Hostiles (which is set ...

When it comes to using dialogue as a mechanism to drive a movie, few (not named David Mamet) are better than Aaron Sorkin with his rat-a-tat-tat approach and ability to craft monologues as living things. After having had a hand in writing some...