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Martian Child wants to make us cry. It nearly made me gag. This is an exercise in shameless and inept emotional manipulation. The film doesn't try to hide what it's doing. If you don't cry, it hasn't worked. There's not a single genuine human e...

The production notes trumpet The Matchmaker as "a romantic comedy for people who hate romantic comedies." This statement implies that the film has something exceptionally original or daring to offer those who are tired of screen love affairs that ...

Mayhem, a bloody exploitation satire, is a little like The Purge in an office building. Although designed in part as a skewering of intra-office politics and the unpleasantness of climbing the corporate ladder, the movie quickly devolves into ...

Based on the real-life story of writer/director Angie Wang, MDMA takes viewers back to the mid-1980s (1985 and 1986, specifically) and immerses them in the life and experiences of an 18-year old Jersey girl struggling to find her way in a prest...

It's tempting to label Meet the Robinsons as just another in a long line of recent computer animated kid-traps, but it deserves a more upbeat description. Thankfully, we're not subjected to the new staple of the big-screen cartoon - anthropomorphi...

Have you ever seen a tabloid headline like this: "Woman gives birth to son of six-headed alien"? Men in Black, the new science fiction comedy from cinematographer-turned-director Barry Sonnenfeld (Get Shorty), postulates that such stories are not...

I define a "boo!" moment as an instant in a movie when there is a loud sound, usually accompanied by a musical stinger and occasionally in concert with the fast pass of an unidentifiable object across a portion of the camera's field of view. The i...

Polls of the most “important” films made during the silent era consistently rank Fritz Lang’s Metropolis at or near the top (alongside Eisenstein’s Battleship Potemkin and Murnau’s Nosferatu). There’s a reason for this: seemingly ...

After the misstep of Mistress America, The Meyerowitz Stories (full name: The Meyerowitz Stories (New and Selected)) represents a “return to form” for writer/director Noah Baumbach. Less pretentious and self-indulgent than some of his mumb...