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Still Walking, the seventh feature from Japanese director Hirokazu Kore-eda, is a sublime experience. By "sublime," I don't mean "boring." Although the events depicted in the film cover the 24-hour span of an ordinary family gathering, there's a ...

Upon its release in 1984, Jonathan Demme's Stop Making Sense was hailed by many critics as the "greatest concert film of all time." The picture, which captured a live concert performance given by the Talking Heads, used state-of-the-art direct-to-...

Upon its release in 1984, Jonathan Demme's Stop Making Sense was hailed by many critics as the "greatest concert film of all time." The movie, which captured a live concert performance given by the Talking Heads, used state-of-the-art direct-t...

Despite dismal box office results across-the-board, the major movie studios have yet to figure out that the American public is not interested in preachy movies about the war in Iraq. Filmmakers interested in producing compelling dramatic films abo...

We tend to think of our homes as places of safety and refuge. The illusory nature of such a belief is quickly dispelled in Bryan Bertino's debut feature, The Strangers. A chilling horror film about a home invasion, this movie doesn't break any ne...

Street Kings has the look and feel of an '80s cop thriller. Despite the predictability of the overall story arc, there's suspense and tension to be found between the credit sequences, but the movie is saddled with an ending that is both improbable...

Before 1971, Clint Eastwood was known primarily for the long-running TV show Rawhide and his role as The Man With No Name in Sergio Leone's so-called "Spaghetti Westerns." That all changed during this pivotal year in Eastwood's career. In Novembe...

Summer ’03 is a coming-of-age story characterized by comedy-infused drama and a decidedly female point-of-view. The time period can be deduced from the title but, excepting the way cars and cellphones look, things weren’t that different 15...

Summer Hours is about death, but not death in the way that it is often packaged and sold to us in movies. Defining grief is a difficult thing. Why do we mourn? Do we grieve for the person who has died or for the ones he (or she) has left behind?...

There has been much discussion and debate recently about the simplistic and juvenile handling of characters in female-oriented motion pictures, with perhaps Confessions of a Shopaholic being the poster child for what's wrong with many of these movi...