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If I wanted to be kind, I’d call Luca Guadagnino’s Suspiria remake “visually striking” and “stylish.” If I wanted to be brutally honest, I’d call it “tedious”, “pretentious”, and even “painful” (although not in a good ...

Note to readers: this review contains spoilers. While I do not believe that the revelation of certain plot points will damage the overall viewing experience, those who wish to see Sweet November without having previous knowledge of key elements wo...

In the past, it has been difficult to get the public interested in political films. This is especially true of younger viewers who are not old enough to participate in the voting process. 2008 may be different, however, with the "rock star" candi...

With Charlie Kaufman, the writer of such movies as Being John Malkovich, Adaptation, and Eternal Sunshine of the Spotless Mind, one expects something weird and wonderful. So it will come as no surprise that "weird" is an apt descriptor for Synecdo...

Does the fact that Tag is loosely based on a real story make it more enjoyable? Not really, although it illustrates the absurdity of some human endeavors. It’s a red herring designed to distract from an underlying truth about this movie: it ...

If there are any 24 fans who have wondered what the TV series might be like if Liam Neeson replaced Kiefer Sutherland, Taken provides an opportunity to have that question answered. Neeson's Bryan Mills uses nearly all the Jack Bauer tactics, inclu...

As animated films go, The Tale of Despereaux represents adequate family entertainment. The quality is nowhere near the level we have come to expect from Pixar but, since there are no Pixar films in theaters this time of year, The Tale of Despereau...

At its best, Terminal is a tasty, tangy parfait – a kaleidoscope of neon-tinged visuals and a twisty storyline with a tortured time line. The glue that holds everything together is Margot Robbie’s high-energy, off-kilter performance, influ...

The Terminator, the film that catapulted Arnold Schwarzengger into Hollywood's stratosphere, was never designed for more than a niche audience. Indeed, while the film made a nice profit for Orion Pictures (returning grosses about six times its cos...

Warning: As with most retrospective reviews, this reveals key plot points. Spoilers abound.Undoubtedly, one of the reasons why James L. Brooks’ feature debut, the three-hankie weeper Terms of Endearment, won the Oscar for Best Picture is tha...