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Will the real Howard Stern please stand up? For, in truth, the man who haunts the airwaves of nearly three-dozen radio stations each morning seems vastly different from the kinder, milder version who graces the screen in Betty Thomas' sweet, often...

The Producers is a movie based on a play based on a movie about a play. And that's probably the funniest thing about it. In 1968, Mel Brooks made his big-screen directorial and writing debut with The Producers, a slapstick farce about how two B...

The career aspirations of Mathilda (Natalie Portman) aren't those of the average 12-year old girl. Instead of wanting to be a doctor, fashion model, teacher, lawyer, or nuclear physicist, Mathilda has decided to follow in the footsteps of her best...

Proof, the debut feature that earned Australian director Jocelyn Moorhouse a chance to make studio films in America (How to Make an American Quilt, A Thousand Acres), was one of 1991's best-kept secrets. Although the movie received a small U.S. ...

Every once in a while, someone gets the bright idea of making an apocalyptic horror film. The Omen series is probably the best-known example of this sub-genre, but it's not the only one. Now, The Prophecy, with its tale of warring angels and lost...

A Prophet (Un prophète in its home tongue) is director Jacques Audiard's gangster-themed twist on the rags-to-riches story. Although it's a genre staple to present the story of an innocent corrupted by the criminal world and rising to a position ...

The Proposal is a standard-order, by-the-book romantic comedy that offers nothing remotely fresh or new while following a formula even neophytes know by heart. For some people, that's enough. All a certain segment of the audience wants from roman...

[Click here to read my review of the original 1960 film.] There's no secret why this new version of Psycho exists. Redundant and unnecessary as it is, it will likely make money for Universal Pictures (a studio in dire need of a box office succe...

Halloween is rightfully considered to be the father of the modern slasher movie. Ultimately, all the Friday the 13ths, Nightmare on Elm Streets, and Screams owe their existence to that one low-budget film that crept its way across motion picture s...

There's something almost old-fashioned about Michael Mann's Public Enemies, a mostly factual re-telling of the descent and death of John Dillinger (Johnny Depp), one of the 1930s most infamous bank robbers. More drama than thriller, the movie does...