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There are two commonly heard sayings about power. The first, "With great power comes great responsibility," sounds almost sanctimonious but represents the credo by which we expect heroic figures (such as policemen) to live. The second, "Power cor...

The middle segment of the Red Riding trilogy, Red Riding: 1980, represents the best of the three films - a taut, bleak perspective of the power of pervasive corruption. By the end of this movie, it becomes clear that the rot within the Yorkshire p...

Red Riding: 1983 brings the Red Riding trilogy to a close and, if the five-hour saga doesn't precisely conclude with a proverbial "bang," neither does it go out with a whimper. The third movie represents the middle ground between the promising-but...

There's a fine line between coincidence and contrivance, and what characterizes that demarcation has more to do with enjoyability than believability. Red Rock West, a film consigned to cable and video until a Bay Area theater decided to give it a s...

Ever had a bad day? Of course you have. We all have. But in The Ref, Denis Leary experiences what it's like when Murphy's Law is in full force. This man just can't catch a break. As a statement that crime doesn't pay, this film sure gets the p...

The cream always rises to the top, and such is the indisputable case with Anthony Hopkins' deeply moving portrayal of the stilted butler of Darlington Hall in the newest offering from Merchant Ivory. Reuniting Howards End co-stars Hopkins and Emma...

Reno 911!: Miami represents an argument against taking 22-minute TV comedy shows and expanding them to 80-minute feature films. Something that entertains over a short period when watched from the vantage point of a couch or a recliner does not nece...

Over the years since its March 1984 release, Alex Cox’s debut feature, Repo Man, has developed a reputation as a “cult classic.” Unlike many other films to claim that badge, this one deserves it. Largely dismissed by mainstream audiences dur...

Reservoir Dogs grabs you by the throat and digs its claws in deep. From the moment that the unwitting viewer tumbles into the realm of Lawrence Tierney's gang of eight, they are hopelessly trapped there until the final credits roll. As the first ...

Sometimes just having a clever idea isn’t enough. Not nearly enough. Take Return to Horror High. If I was being generous, I’d admit there’s something in the premise that could make for an entertaining horror-comedy/parody with a blurring of ...