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Rust Creek, an uneven but ultimately satisfying thriller from indie director Jen McGowan, seamlessly blends horror and thriller elements across its 108-minute running time. The story unfolds in two acts, with the opening one (which comprises a...

These days, Hollywood seems to be almost entirely bankrupt of new ideas. For bursts of inspiration or innovation, the movie-goer increasingly has to seek out independent motion pictures. What we are getting more and more from the big studios is a...

In the 1940s and '50s, star power drove movies. Staples of cinema like plot, character, and photography were often of secondary importance to who topped the marquee. Well-known actors could draw large crowds to a bad movie, while obscure name...

In addition to a vast array of benefits, the industrialization of this planet has brought with it numerous problems. Chemicals, pesticides, and poisons are everywhere; pollutants clog the air. Most of us adjust, breathing in fumes with littl...

On the scale of dumb summer comedies, Safe Men ranks a lot closer to Mafia! than to There's Something about Mary. Oh, the film has its share of amusing moments, and a few of the roles have been filled through inspired casting, but there's still to...

Despite the faint whiff of sanctimoniousness that occasionally emanates from this well-meaning motion picture, Saint Judy generally holds its own as a solid courtroom drama. Blessed with interesting characters and using a real-life case as the...

The first thing to state about Salo, the oft-banned and infamous final movie of Italian filmmaker Pier Paolo Pasolini, is that it has a purpose beyond depicting a catalog of taboos and grotesqueries rarely seen on screen. With Salo, which has a sec...

Sans Soleil, an “experimental” movie from filmmaker Chris Marker (perhaps best known for La Jetée, which was the inspiration for Terry Gilliam’s Twelve Monkeys), belongs in the love-it-or-hate-it category of pretentious twaddle. A 100-m...

When considering world-famous Japanese filmmakers, the first names that likely come to mind are Kurosawa and Ozu. Not far behind them, however, is Kenji Mizoguchi, whose career spanned more than 30 years beginning with silent films in 1923 and...

This is what happens when someone takes what might have been a moderately-entertaining television Christmas special and tries to adapt it for the big screen. The Santa Clause isn't an unmitigated disaster, but it's also a whole lot less impres...