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Get ready for a deep dive into nostalgia. Ghostbusters: Afterlife, although boasting a next generation of Ghostbusters, works best for those who have seen (and at least somewhat remember) the original two Ivan Reitman films from the ‘80s. Althou...

What happens when Hollywood marries Charles Dickens, that wacky 19th century romantic comedy scribe, to Matthew McConaughey, that wacky naked bongo drum player? To begin with, great expectations should be curbed. The result is not as good as it sho...

Giant makes for an interesting case study of a "classic" American motion picture. Although it was a huge financial success for Warner Brothers, the prints were allowed to fall into a shocking state of disrepair over the years. And Giant's reputat...

There’s something enormously refreshing about the openness and honesty found in Keith Behrman’s coming-of-age film, Giant Little Ones. It recognizes that for many people, discovering a sexual identity isn’t as simple as recognizing an att...

When it won the Best Picture Oscar at the 1959 ceremony, Gigi became only the second “pure” musical (after An American in Paris) to win that award. It was a harbinger of things to come. The 1960s would become known as the decade of the mus...

Combine the talents of director Robert Altman and actors Kenneth Branagh and Robert Duvall, and you have the apparent recipe for a motion picture worth waiting for. But, although The Gingerbread Man is a finely-tuned example of mainstream entertai...

It's ironic that a motion picture designed as mainstream, commercial entertainment in France will be viewed as an art house film during its American run. The movie in question is Patrice Leconte's The Girl On the Bridge, which made more than $20 m...

Director Andre Téchiné (My Favorite Season, Wild Reeds, Thieves, Alice and Martin) has never been shy about confronting difficult subjects in his films, as one glance at his loaded résumé will reveal. Téchiné enjoys exploring dark, complex ide...

The Girl Who Kicked the Hornet's Nest, the third and final piece of the cinematic adaptation of Stieg Larsson's The Millennium Trilogy, is an entertaining thriller. That said, it's the weakest of the films, falling a length or two behind The Girl ...

The Girl Who Played with Fire, the second part of Stieg Larsson's enormously popular The Millennium Trilogy, follows The Girl with the Dragon Tattoo and precedes The Girl Who Kicked the Hornet's Nest. Filmed back-to-back-to-back, the three movies ...