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The Girl with the Dragon Tattoo belongs to a rare genre: the literate motion picture murder mystery/thriller. (Coincidentally, I saw another good example, the Korean Mother, earlier in the week, but this one is better.) It unfolds not with the br...

Every actor or actress has his or her pet project - something they put their whole heart and soul into getting on the screen. For some, especially those who flirt only briefly (or not at all) with the spotlight of public adulation, this can be...

Voyeurism is a favorite pursuit of Americans, and The Girlfriend Experience works in large part because it indulges that pastime. The fascination with the film is that it offers an arm's-length opportunity to peer through a peephole into a lifesty...

The best element of M. Night Shyamalan’s 2017 horror film, Split – and one of the few things it did right – happened at the very end. The brief, surprising reveal of Bruce Willis reprising his David Dunn character from Unbreakable create...

Is Glengarry Glen Ross really about salesmen, or is it about a bankrupt culture that produces and nurtures them? Certainly, it stands alongside Wall Street as one of the most unflinching views of a mindset that informed a generation of salesmen and...

We don’t see many movies like Gloria Bell these days. Simple, adult character studies with major stars have become a rarity in today’s movie climate. Gloria Bell is sedate in its approach – it tells a story but the narrative is devoid of ...

Glory is, without question, one of the best movies ever made about the American Civil War (a.k.a. "The War Between the States"). The reason isn't just the way in which Kevin Jarre's script illuminates a frequent oversight of history books, nor is ...

Go is the latest piece of high-octane eye candy aimed squarely at members of the infamous Generation X. Fast-paced and often witty, but ultimately vapid, Go borrows heavily both in rhythm and approach from Quentin Tarantino's Pulp Fiction. And, s...

Few screen romances are as touching, as tragic, and as life affirming as the one shared by Nick (Robert Carlyle) and Karen (Juliet Aubrey) in director Michael Winterbottom's Go Now. While the film is ultimately about the effects of multiple sc...

A companion piece in the truest sense of the term, The Godfather Part II garnered as much adulation as its predecessor, if not more. Receiving twelve Academy Award nominations, and again winning Best Picture (and this time Best Director for Coppol...