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Undeterred by the universally hostile reaction to her previous holiday picture, Mixed Nuts, director Nora Ephron (Sleepless in Seattle) is back at it again this year with Michael, the second angel-comes-to-Earth feature of the month. While this ma...

"It's my considered opinion that in the fullness of time, history will record the greatness of [Michael] Collins and it will be recorded at my expense." -- Eamon De Valera, President of the Republic of Ireland, 1966 Of the more than five dozen...

The latest would-be art-house sensation from French auteur Jean-Pierre Jeunet bears the title Micmacs, and has nothing to do with any entrée available at a certain high-profile fast food restaurant. It is, however, an unusual concoction that woul...

Spoilers Ahead!December 1944 in the Ardennes. The Battle of the Bulge is beginning. The snow is falling gently, coating everything in white. It’s here that the members of a small American Intelligence squad find themselves holed up in an aban...

(Spoilers, as one might expect from a retrospective of a 50-year old movie.)Midnight Cowboy, the only X-rated film to win a Best Picture Oscar, is less shocking than its reputation might indicate. Essentially a two-character buddy film, the ma...

One thing is certain about Clint Eastwood: he doesn't play it safe. Two years ago, he surprised just about everyone (and gave his fans a collective apoplexy) by directing and starring in an ultra-sensitive tearjerker called The Bridges of Madison...

If you’re in the mood for an overdose of (early) ‘80s nostalgia, Midnight Madness has your fix. Watching the film, which was made in 1980, offers a reflection of the kind of escapism that dominated the teen-oriented cinema of the era. Toda...

Ari Aster, the director of Hereditary and Midsommar, has described his brand of filmmaking as “existential horror.” To be sure, it’s a much different breed of the genre than one typically finds in multiplexes, trading in jump scares for ...

Following the spectacular failure of Mary Shelly's Frankenstein, Kenneth Branagh returned to England to make the kind of film he was most familiar with: a very British, low-budget production rooted deeply in the works of William Shakespeare. Howe...

It's refreshing to see a movie in which there are no special effects, no camera tricks, and no incidental music to strum on a viewer's emotional strings. These are some (but certainly not all) of the tenets of Dogma 95, the much-ballyhooed "cinema...