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Meet Joe Black has the dubious distinction of being the longest film to date of 1998. It is also one of the most tedious and bombastic. At a hair under three hours, it's shorter than James Cameron's Titanic, yet, when it comes to pace, Joe Black ...

And now for something completely different... Originally released in New Zealand during 1989, Peter Jackson's cult hit Meet the Feebles is only now receiving its official United States "tour", opening for short runs in select art houses acro...

Have you ever seen a tabloid headline like this: "Woman gives birth to son of six-headed alien"? Men in Black, the new science fiction comedy from cinematographer-turned-director Barry Sonnenfeld (Get Shorty), postulates that such stories are not...

If I used words like “tiresome” and “lazy” to describe this pointless remake/reboot, it wouldn’t be sufficient to express the apathy I feel for Columbia Pictures’ sad attempt to exhume a franchise that was pronounced dead by the ti...

Welcome to George Clooney season. Those who find the actor, who has been described by some as a modern day Cary Grant, engaging will have reason to smile as Hollywood begins its annual push toward the Oscars. Clooney will bring his winning person...

As a child, Caine (Tyrin Turner) was raised in a "den of thieves", with a heroin-addicted mother and a gun-toting, drug-pushing father. At the age of five, Caine learns how to shoot a gun and witnesses his father kill someone in cold blood. B...

The Merry Gentleman, which represents the feature directorial debut of actor Michael Keaton, is a meditation on loneliness and about the things we do to fill up those big, empty gaps in life. Anchoring the film, which is driven more by characters ...

For anyone who wept hopelessly at the tragic romance of The English Patient, Message in a Bottle is the movie you have been waiting for. In addition to being a beautifully-photographed motion picture with a solid (albeit melodramatic) storyline an...

Polls of the most “important” films made during the silent era consistently rank Fritz Lang’s Metropolis at or near the top (alongside Eisenstein’s Battleship Potemkin and Murnau’s Nosferatu). There’s a reason for this: seemingly ...