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Love's Labour's Lost has always been regarded as one of the most enigmatic of Shakespeare's plays. In modern times, it is almost never performed, and, unlike the text of the Bard's major works, it fails to come alive on the printed page. In an in...

Love Actually doesn't have a cynical frame in its celluloid. It's for all those romantics who think there aren't enough happy endings. Richard Curtis' movie dips so deep into the well of feel-good sentiment that it will threaten to send some audi...

Creating a bio-pic of Linda Lovelace (nee Boreman) comes with its own series of challenges. The chief of these is that no one, not even Lovelace (who died in 2002), has a consistent view of the salient facts of her life. So, basing a movie on her s...

Mad Love is a flawed movie that can't decide whether it wants to be a drama about mental illness, a tale of teen romance and rebellion, or a road picture. It's not that these three are necessarily mutually exclusive, but Mad Love's agenda makes th...

Manny & Lo, the debut feature from writer/director Lisa Krueger, is a wonderfully- textured comic fantasy about family life. With only a few missteps along the way, this film takes us on a deceptively complex journey of discovery into a world t...

I have never been a Raymond Chandler fan nor am I enamored with the pulp detective genre that was oh-so-popular during the early decades of the 20th century. Consequently, my only exposure to Philip Marlowe (Chandler’s most popular character) ha...

Non-demanding fans of the original The Matrix will likely be enthralled by the second installment in the series. More demanding aficionados will likely have a few reservations, some of which will not be addressed until the release of the third fea...

The term “an interesting failure” was coined for movies like Megalopolis, an incoherent (but often fascinating) excursion into the mind of writer/director Francis Ford Coppola. An allegorical exploration of modern-day America, this movie i...

With a movie like this, it’s necessary (however difficult) to put politics aside. Despite what the blurbs say, Miss Sloane isn’t really about the Second Amendment. It isn’t about gun rights; it’s about how easy it is to peddle...