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Middle episodes in trilogies have the potential to be fundamentally dissatisfying. Thankfully, George Lucas has managed to avoid that pitfall for Episode II of the Star Wars saga, Attack of the Clones. Admittedly, the primary purpose of this film...

Attack of the Clones suffers from "middle episode syndrome" - the tendency of the second volume in a trilogy to feel incomplete and, as a result of that incompleteness, to fail to satisfy. (A problem George Lucas was able to avoid with The ...

When I was sitting in a theater during the summer of 1977 enthralled by the spectacle that was Star Wars, never did I imagine that, some 31 years later, I would find myself wishing it would go away. Overmerchandising, fan unfriendliness, and greed...

Errol Morris may be unique among high profile, veteran documentary filmmakers in that his primary interest is in the people he interviews. His movies are real-life character studies not pseudo narratives, political rants, or "serious" examinations ...

If there's anything disgusting or grotesque that The Cook, the Thief, His Wife, and Her Lover doesn't dabble in, I'm at a loss to figure out what it is. This film, a wildly exuberant, bitingly satirical examination of excess, bad taste, and grea...

The Long Walk represents one of Stephen King's rare ventures outside the horror genre. A dystopian thriller, the film adaptation alternates between lengthy, dialogue-driven sequences and sudden bursts of graphic violence. At times, it feels almost...

Had the storyline for The Mandalorian and Grogu been used for a three-episode arc in the Disney+ TV series, I don't think anyone would have minded. The plot isn't appalling; it's the kind of thing that one wants from a TV series—an episodic ...

A Thin Line Between Love and Hate is muddled to the point of tedium. The screenplay is credited to four writers, and its unevenness argues that none of them were on the same wavelength. Subplots start but never finish, characters come and go...

Boiled down to its essence, Thor: Love and Thunder is just another comic book movie – a celebration of the tropes that have made each new MCU entry an opportunity for Disney to fatten its coffers. Nevertheless, “it” director Taika Waitit...