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Fargo takes the usual "caper gone wrong" storyline and applies a new twist. Based on a supposed series of "true events" from 1987 (a tongue-in-cheek claim made by a screen caption), the film examines what can happen when the police and criminals a...

Many times, the best feature debuts come from filmmakers who explore subjects about which they have a passion. With Ryan Coogler, the fire burns for Oscar Grant, a 22-year old who was shot while in police custody during the early morning hours of N...

Get Hard is a Will Ferrell movie that comes with all the strengths and weaknesses implied by the designation. Although the marketing campaign plays up the Ferrell/Kevin Hart "buddy" angle, the film skews more toward Ferrell's hit-and-mi...

Hail, Caesar! won’t be remembered as one of the Coen Brothers’ masterpieces. An homage to Hollywood of the 1950s, this is more of a niche film than a mainstream offering. It’s an opportunity for Joel & Ethan Coen to use the era as a cinematic p...

Since stepping away from working with his brother Joel, Ethan Coen has found a new creative partner in his wife, Trisha Cooke. Honey Don't! marks their second collaboration and, like Drive-Away Dolls, it revels in B-movie excess. That shouldn't be...

"Out of hope, out of rope, out of time." - William Cobbs in the opening narration of The Hudsucker Proxy Tim Robbins has a knack for finding his way into superior satires. After taking the lead role in Robert Altman's The Player and starring...

I Am Love falls into the select category of films that are easier to admire than like. Director Luca Guadagnino's arm's length approach to the story creates a buffer between the audience and the main character - something that works well during th...

A perusal of the Coen Brothers' filmography reveals a penchant for the offbeat and absurd. They almost never do anything conventional, which makes Inside Llewyn Davis surprising. A Valentine to late-'50s and early-'60s folk music (pre-Dylan), the m...

For whatever reason, the Coen Brothers' comedies (such as Raising Arizona, The Hudsucker Proxy, and The Big Lebowski) have always garnered less critical attention than the filmmakers' more serious fare (such as Blood Simple, Barton Fink, and Fargo)...