Search for An Co

Miller’s Crossing, the Coen Brothers’ third film (following Blood Simple and Raising Arizona) introduced the kind of comedically-tinged approach they would employ for some of their darkest and most compelling films, including the criticall...

Expecting normalcy from a Coen Brothers production is a pointless endeavor, but anticipating brilliance isn't outlandish. Their latest feature, which has about zero box office potential, provides plenty of the latter and a little of the former. It�...

O Brother, Where Art Thou? is essentially Homer's "The Odyssey" by way of the Coen Brothers with an assist from Preston Sturges (the title comes from the Sturges film, Sullivan's Travels). Or, to put it another way, it's a period piece road movie ...

The older he has gotten, the more offbeat his films have become. Now, to be clear, Wes Anderson has never been a conventional filmmaker. His movies have always appealed more to niche audiences than mainstream ones. (My favorite of his oeuvre, ...

Tom Hanks as a cold-blooded hit man? Say it ain't so, Forrest! Over the course of his illustrious career, which is well into its third decade, Hanks has played a cross-dresser, a man infatuated by a mermaid, the manager of a women's baseball te...

Masters of audacity, the Coen Brothers continue to amaze with their versatility and, unlike many who have achieved success, they have shown no inclination to slip into a comfortable groove. When one scans their joint resumes, it becomes apparent t...

Sinners commits one of the rarest of rare transgressions in modern cinema: it’s too ambitious. Writer/director Ryan Coogler has far too much to say for one movie but, instead of opting for another medium in which to present the story or shaving ...

25 years ago, Space Jam took the gimmicky concept of having the beloved stable of Looney Toons characters join forces with Michael Jordan for a basketball game. It made money, landing in 15th place for the year (between Star Trek: First Contac...