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Clint Eastwood's Changeling falls into a common trap: by trying to do too much, it accomplishes too little. If the film feels overstuffed and poorly focused, that's because the screenplay, credited to Babylon 5 creator J. Michael Straczynski, atte...

It is accepted practice that a comedy, even the most outrageous one, must have some sort of skeletal plot structure. Most of these are nonsense and sometimes impede the viewer's ability to enjoy the film's humorous antics. Such is the case with C...

Contraband is the kind of thriller that offers just enough in the way of effective elements to assemble a two-minute trailer. When it comes to a 110-minute feature, however, the sketchiness of the plotting and the director's lack of sure-handedness...

During the mid-1990s, in the wake of Quentin Tarantino’s unlikely ascent, the movie landscape was suddenly populated by all manner of Pulp Fiction wannabes. Some were better than others. Joe Carnahan got his start with one of these, 1998’s ...

Christmas movies like this are enough to turn one into a Grinch or at least make one wish that the filmmakers would get a visit from the Ghost of Christmas Future. Why it is so hard to make a decent Christmas comedy? Not every movie has to be on ...

In spite of an awkward title and an uninspired choice for the leading man, Definitely, Maybe nevertheless manages to charm with its bittersweet story of love and loss that ends on an upbeat and romantic note. The movie starts out as one thing but,...

It can be convincingly argued that John Waters' oeuvre is an acquired taste. If that's the case, I haven't yet acquired it. I view Waters as a pre-adolescent male in a state of arrested development. He is obsessed with what kids snickeringly ref...

It is universally acknowledged (at least by those who don't play with Transformers toys) that the best science fiction stories are those that use the devices of aliens, robots, and space ships to illustrate some greater truth. Star Trek (the TV se...