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The Santa Clause 2 is a worthy successor to the original 1994 film – that is to say, anyone under age 10 will be enchanted; anyone over age 10 will have trouble stifling their boredom. The movie has a laudable quality or two, but overestimating ...

You get what you expect with The Santa Clause 3. The two previous movies in the franchise have adequately prepared potential viewers for the experience of sitting through the third. The bland sameness of these films disallows the possibility of d...

Over the years, viewers have developed certain expectations about stories set behind prison bars. Those tropes, developed and exploited by the likes of the critically acclaimed TV series “Oz” and the less serious “Orange Is the New Black,”...

Smokin' Aces is Tarantino lite - a vague and unsuccessful attempt to bring together a bunch of offbeat, unrelated characters in a situation where a bloody resolution is inescapable. Like an absentminded chef, however, writer/director Joe Carnahan ...

In a year of debacles and big budget implosions like Supernova, Mission to Mars, and the unforgettable Battlefield Earth, the task of creating the most satisfying science fiction movie (to date) has been left to veteran director Clint Eastwood. Wh...

Stoker is deliciously demented, and that's a good thing. This twisted coming-of-age tale takes us into Carrie territory without the supernatural element. It wends its way along an unpredictable narrative trajectory with a warped sensibility that of...

Before 1971, Clint Eastwood was known primarily for the long-running TV show Rawhide and his role as The Man With No Name in Sergio Leone's so-called "Spaghetti Westerns." That all changed during this pivotal year in Eastwood's career. In Novembe...

Most of those who elect to see Sully, Clint Eastwood’s re-enactment of the 2009 ditching of a commercial airliner in the Hudson River, will remember the incident involving U.S. Airways Flight 1549 from news reports. For several days following t...

Train Dreams is a lyrical film—a movie concerned more with emotional impact, nostalgia, and powerful imagery than rigid plotting. It is the kind of cinema where a state of reverie is not merely encouraged, but required. Although there is a narra...

Trust the Man is the latest feature from Bart Freundlich, who came to many people's attention in 1997 with The Myth of Fingerprints. Since then, Freundlich's resume has been spotty but, based on the $8 million payout by Fox Searchlight for this mov...