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When one considers the impact Judd Apatow has had on the movie scene over the past decade, it's surprising to realize that Trainwreck is only his fifth feature as a director. This also marks his return to the romantic comedy genre after a two-fil...

Tremors is one of those rare motion pictures that fails during its theatrical run but finds new life on video. Examples of this can be found dotted throughout the VHS/DVD era of cinema (post-1983) but few are as dramatic as in this case. It's not ...

Swedish director Ruben Ostlund is at it again, using the medium of film to satirize themes and ideas worthy of ridicule. In 2017’s The Square, he turned his attention to the art world. In Triangle of Sadness, the canvas is broader and include...

Pardon me for wondering if director Michael Winterbottom is obsessed with cock (with or without the bull). Maybe I'm just saying that because I have been unfortunate enough to see his previous outing, 9 Songs, which avoided showing up behind the c...

Just when it was starting to look like the concept of a "funny comedy" has gone out of vogue, along comes Pineapple Express and its cinematic cousin, Tropic Thunder. The latter film, which has emerged from the warped mind of Ben Stiller, is a litt...

A few months ago, when speculation was rampant about who would be the next actor to nab the role of James Bond, Arnold Schwarzenegger's name was bandied about as one of the "long shots." Well, Pierce got the job, not Arnold, but for those who wond...

Trust the Man is the latest feature from Bart Freundlich, who came to many people's attention in 1997 with The Myth of Fingerprints. Since then, Freundlich's resume has been spotty but, based on the $8 million payout by Fox Searchlight for this mov...

Since Edmond Rostand first committed the play to paper in 1897, Cyrano De Bergerac has become a reliable romantic formula. From the various "straight" versions to Steve Martin's Roxanne, and now The Truth About Cats and Dogs, the concept of a smar...

In 2014, Japanese director Hirokazu Kore-eda’s Like Father, Like Son missed the #1 spot on my annual Top 10 list by a whisker (it was one of three films that year to which I awarded four stars). A few years later, his Shoplifters topped the l...

Spoilers! Nothing is explicitly revealed but something is implied. For about a half-hour, Tully is damn near brilliant. An incisive, relentless takedown of the myth of new parenting, Diablo Cody’s screenplay highlights the incessant crying, ...