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Note to readers: this review contains spoilers. While I do not believe the revelation of certain plot points will in any way compromise the viewing experience, those who wish to see Two Family House without having previous knowledge of key elements...

What can I write about Two Weeks Notice that I haven't written about every mediocre romantic comedy to come down Hollywood's pipeline? There's the cotton candy comparison – the movie is sweet (sometimes too sweet) and airy, with so little substa...

Hollywood, it seems, has lost the knack of how to make a good romantic comedy. The best two such films of 2009, Adventureland and (500) Days of Summer, have come down the indie trail. The major studios are unwilling to fund any production that do...

The “hook” intended to lure in viewers to Tom Gormican’s The Unbearable Weight of Massive Talent is the marquee-topping selection of Nicolas Cage as “Nick Cage.” The film gets a lot of mileage (perhaps too much) out of this meta casting....

Unfinished Business is bad - not epically bad but bad enough. Little contained in this misfire of a film works and the few successful things are dragged out to the point where they die a lingering death. In fact, it's odd that this movie was acco...

Up and Down, from renowned Czech director Jan Hrebejk, is a mix of drama and black comedy, with a fair amount of social commentary stirred in. It targets racism and social injustice while developing characters we gradually come to sympathize with....

Up in the Air is a wonderful little film (the word "little" being relative, of course). It was the best thing I saw at the 2009 Toronto International Film Festival, and it stand up as well away from the peculiar atmosphere of the festival as it di...

"No need to remember when, 'Cause everything old is new again." - Peter Allen & Carole Bayer Sager We live in an era of remakes, reboots, and sequels. Hollywood, having apparently run out of new ideas (or, more accurately, being ...

It is possible to gather a star-studded ensemble cast and make a frothy, delightful movie about love in its many guises. Richard Curtis did it with Love, Actually and a parcel of international directors accomplished something similar with the duet...

Valley Girl is a re-imagination of the 1983 film for a generation raised on Baz Luhrmann films and Glee. It’s a celebration of kitsch and of the ‘80s as they’re remembered (not as they actually were). Everything about director Rachel Le...