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A few random thoughts about Ghost Rider: Spirit of Vengeance... A single viewing makes it obvious why Marvel Enterprises would move forward with the sequel to a feature whose box office performance was underwhelming. By making this film, they are r...

It may be that, through a combination of incompetence and ego, Rob Zombie has finally brought an end to Michael Myers' 31-year killing spree. The latest chapter of the venerable slasher film saga represents the tenth movie to use the title (althou...

Here's a film that evokes, at different times and in different ways, Joe Versus the Volcano, Brazil, and Taxi Driver. It's an effective and affecting movie about the crushing power of office servitude and the soul-sapping impact of office politics...

Saturday Night Live movies generally come in two categories: inspired comedies and woefully inept, borderline-unwatchable dreck. Unsurprisingly, considering the difficulty (not to mention the wisdom) of transforming a five-minute sketch into a 90-...

Neighbors contains many of the qualities that make raunchy, profane comedies a popular commodity: sex, T&A, drugs, a barrage of four-letter words, and slapstick of the broadest kind. At first glance, one might be tempted to lump Neighbors into the ...

It’s the same sad story: a small movie becomes an unexpected success and, for purely financial reasons, a sequel is commissioned. The follow-up proves not only to be creatively bankrupt but a disappointment on all levels and thereby tarnishes t...

At its best, Nightbitch offers a deeply honest, emotionally unsettling portrait of the darker side of parenting. Unfortunately, those moments are counterbalanced by a metaphorical story element that devolves into an exercise in campiness so tonall...

Popstar, a collaboration between Judd Apatow and Saturday Night Live alum Andy Samberg, is the latest movie to satirize aspects of popular culture (in this case, the music industry). And, although this might have been considered cutting edge 20 or 30...