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Over the years, the “Rip Van Winkle” concept (inspired by the central conceit of the Washington Irving 1819 short story) has been used by a number of films. The idea – a person hibernating for a number of years and waking up to a vastly ...

Everyone has their own coming-of-age story. For most, it has meaning for only one person; it’s rare that a coming-of-age experience translates into a universal story. Kenneth Branagh’s Belfast is an example of one that does. James Gray’s Arm...

Audiences today might be tempted to label Michelangelo Antonioni’s Blow-Up as a “thriller that doesn’t deliver.” There’s some validity to that charge – if what one expects from a murder mystery is a resolution to the whodunnit? asp...

It’s the early 1990s and Lee Israel (Melissa McCarthy) is already well past her sell-by date. An author specializing in biographies (she once landed on the New York Times bestseller list for one she wrote about game show panelist Dorothy Kil...

When I was growing up in the 1970s, the Looney Tunes characters were popular. Every kid knew the names of Bugs Bunny, Daffy Duck, Porky Pig, Yosemite Sam, Elmer Fudd, Foghorn Leghorn, and, of course, Wile E. Coyote (Super Genius) and his nemes...

Crank 2: High Voltage is the freak show act at a carnival. It's so over-the-top that the phrase ceases to have meaning in this context. It's a bizarre concoction of testosterone, adrenaline, and psychedelics. It seeks not only to top its predece...

While watching Dear Evan Hansen, I was reminded of the 1994 film I’ll Do Anything. Originally designed as a musical (with eight songs by Prince), the decision was made in the editing room to release the Nick Nolte vehicle as a straight drama...

When it comes to the pantheon of the Worst Movies Ever Made, there are only a few challengers to the title claimed by Plan Nine from Outer Space. One of those is Tommy Wiseau’s universally derided 2003 debut feature, The Room. Instead of fad...