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Mrs. Brown is a love story much in the same vein as Carrington in that it deals with platonic affection that runs deeper and truer than that of the motion picture staple romantic variety. These days, it seems that whenever we see a male/female...

At first glance, My Week with Marilyn might seem like a salacious behind-the-scenes look at a mostly forgotten (yet high profile at the time) movie that had its share of off-camera drama. However, a closer examination of the film reveals an incompl...

There are two ways in which one can consider The Nativity Story. As a piece of religious instruction or an animated version of a crèche, it accomplishes its aims. As a movie, however, it's slow, plodding, and not terribly interesting. There's a...

Despite his reputation as one of America's foremost "serious" filmmakers, Oliver Stone's name under the "director" caption does not guarantee a good movie. I learned that lesson while enduring the seemingly-endless tedium of The Doors, and was rem...

To call The Nest an unhappy movie would be to understate the matter. There’s not a single cheerful, well-adjusted character in the production – not the venal, overreaching father, Rory O’Hara (Jude Law), or his wife, Allison (Carrie Coon...

It's always a tricky proposition to make a motion picture based on recent history -- and the more public the episode, the more difficult it is for the film maker to balance drama with accuracy. This is especially true when that film maker is Olive...

No Hard Feelings is an odd movie in that films of this sort have fallen out of vogue in the 21st century and are rarely accorded any sort of theatrical release. (The box office results will determine whether the decision to reject a direct-to-stre...

Nobody's Fool is about as sublime a motion picture as is likely to come out of Hollywood. With a structure that contravenes the norm, this film concentrates on character first, letting the plot fall naturally into place. Situations are forced on ...

To find Nomadland, all one has to do is locate the place where the documentary intersects with the feature film. Based on the non-fiction book by Jessica Bruder, writer/director/editor Chloe Zhao has added form and texture by presenting this j...