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Not Okay can be a lot of different things to a lot of different people. It touches on a wide variety of hot-button issues. A few are addressed with subtlety and others with sledgehammer forcefulness. Some, as one might reasonably expect, are incis...

Notes on a Scandal is an attempt to make a Fatal Attraction type thriller for the art house crowd. With a cast that features two of today's best actresses - Judi Dench and Cate Blanchett - and a screenplay of uncommon literacy, the movie nearly ac...

In Western culture, we are obsessed by the concept of celebrity. How else can one explain the plague of paparazzi that descends on public figures when they make appearances, or the popularity of gossip magazines and TV shows? Celebrities are l...

For Nouvelle Vague, director Richard Linklater offers a three-for-one. It’s a hangout movie, a love letter to the French New Wave, and a behind-the-scenes look at one of the era’s most famous films: Jean-Luc Godard’s Breathless. Stylisti...

It's probably just a coincidence, but the two Bond films that Maud Adams appeared in -- The Man with the Golden Gun and Octopussy -- are easily the silliest entries in the long-running series (not counting the intentional spoof Casino Royale). In...

At the time of its release, the vastly overrated Longlegs was being touted by some critics as the most “terrifying movie of 2024.” It’s doubtful that anyone making such a statement has seen Irish director Damian Mc Carthy’s sophomore film,...

There’s something eerie about the way The Omega Man opens: Charlton Heston driving around a seemingly deserted Los Angeles (the empty streets are shown via helicopter shots as well as on the ground) while the theme from A Summer Place plays ...

With the exception of one production aspect, On Her Majesty's Secret Service is by far the best entry of the long-running James Bond series. The film contains some of the most exhilarating action sequences ever to reach the screen, a touchin...

Once Upon a Time in Hollywood, the “ninth film from Quentin Tarantino,” might be too long and a little self-indulgent. But it’s also chock-full of brilliant moments, great performances, and a sense of ’60s Hollywood infused with a mix ...