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Perhaps the best way to approach Black Bear is to watch it as two distinct short films (each a little under an hour in length) featuring the same primary trio of actors: Aubrey Plaza, Sarah Gadon, and Christopher Abbott. Putting aside the “conne...

Audiences today might be tempted to label Michelangelo Antonioni’s Blow-Up as a “thriller that doesn’t deliver.” There’s some validity to that charge – if what one expects from a murder mystery is a resolution to the whodunnit? asp...

I love the beginning – the sense of time and place. Part of this has to do with the introductory voiceover narration (provided by the writer of the novel, Donald Ray Pollock, whose intonation has all the right qualities for this job). Part o...

The Golden Door might have worked better as a documentary. The subject matter - that of third-class immigrants making their way to the New World at the beginning of the 20th century - is fascinating material, and director Emanuele Crialese include...

In the Bedroom is arguably one of the year's most anticipated independent releases - a movie whose incessant buzz at Sundance carried it at the crest of a wave to Toronto, then placed it in theaters before the end of the year. For those unable to ...

It's not necessary to look at the color of the leaves to determine the season of the year when movies of this power come along. Little Children, the second feature from director Todd Field (In the Bedroom), is the rarest of movies - a literary mul...

Little Indian, Big City, the American name given to Herve Palud's 1995 French fish-out-of-water comedy, L'Indian dans la Ville, is easily one of the most tedious viewing experiences of 1996. I came as close to walking out of this movie as anything...