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Hacksaw Ridge embraces many of the clichés of the war movie but, instead of laying them out in a rote fashion, the film synthesizes them into a visceral, ultimately inspirational result. This is about heroism, patriotism, and an adherence to c...

The familiar fairy tales we were weaned on aren't good enough any more. First, Shrek playfully toyed with some of our old friends by having them interact in atypical ways with a big, green ogre. Then along came last year's Hoodwinked, which refus...

Happy Endings is one of those ensemble films where several stories are told in parallel with occasional intersection points to keep them from being unconnected. Sometimes, as in the case of Crash, the approach works. Sometimes, as in the case of Ha...

Hard Candy is the kind of uncompromising independent motion picture that is likely to foster ambivalence in a significant portion of its audience. Admittedly, the film doesn't stand up well to a careful postmortem (many psychological thrillers don...

Sometimes I wonder why I bother with PG-13 horror films. They're a dime a dozen and most of them aren't worth the celluloid the projector's light passes through. For every pleasant surprise like The Uninvited, there are about ten lifeless regurgi...

There are no tumbleweeds in Hell or High Water, but there might as well be. The Texas terrain, as bleak and barren as any landscape this side of Tombstone, is a constant presence, as forceful a character as any played by a human actor. It speaks of p...

Thanks, but no thanks. That, apparently, is what the producers of Hellboy told Guillermo del Toro when he expressed an interest in making a third film in the franchise he brought to the screen. With apologies to Neil Marshall, it begs the ques...

When I first saw High Tension at the 2003 Toronto Film Festival, I wrote the following: " [High Tension] has virtually no chance of finding a North American distributor. After all, what's the market for slasher films with subtitles?" Imagine my ...

Four years ago, when I reviewed The Hitman’s Bodyguard, I described it as a fun throwback to the mixed-race buddy pictures of the late 1980s and early 1990s. Due in large part to the combustible chemistry between lead actors Ryan Reynolds (w...

Sometimes, calling something "cheesy" and "B-grade" can be construed as a compliment. But not in Hostel's case. A thrill-less thriller that uses gore to obfuscate its inability to generate tension, this motion picture has the profile one might ex...