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One could make a solid argument that the 2006 remake of The Hills Have Eyes is superior to the 1977 original. The story has been tightened up, the acting is better, and the blood-and-gore effects aren't as hokey. Unfortunately, the biggest stumbli...

Dancing along a line just shy of the edge of brilliance, In the Loop possesses an incisive, take-no-prisoners comedic style that offers plenty of solid laughs while making a point about the stupidity, selfishness, and lack of awareness that exists ...

Innocent Voices tells a very personal story wrapped within a larger political context. Based on the memoirs of co-writer Oscar Orlando Torres, the film hearkens back to the 1980s and the brutal civil war that devastated El Salvador. Much like in ...

It has been 22 years since Jurassic Park ushered in the modern age of computer generated imagery, becoming the first motion picture to use the then-cutting edge special effects technology to astound and amaze us. Director Steven Spielberg allowed us ...

"I have always liked European cinema and, originally, I was going to make this for $200,000 on 16mm black and white. So I decided to write a movie with a lot of French language and use subtitles, and them make it a violent action picture... For th...

Legally Blonde fits into the niche occupied by motion pictures like Clueless, Dick, and Romy and Michelle's High School Reunion - that is to say, films in which an airhead heroine captures our affection and overcomes her vacuous disability to trium...

Let it Rain, a French film that has taken two years to reach North American theaters (a testimony to how poor the market is these days even for well-made, high-profile foreign fare), makes the case that simplicity in a motion picture can be a good ...

Letters from Iwo Jima is a unique American-made war movie for at least two reasons: it depicts the battle from the perspective of the losers and it represents the United States as the "enemy." Coupled with Flags of Our Fathers, Letters from Iwo Ji...

Winner of the Camera d'Or at the 1996 Cannes Film Festival, Love Serenade, the feature debut of Australian director Shirley Barrett, has the kind of nasty, biting wit that juries at film festivals seem to appreciate. For the most part, movies ...

Ah, the dinner party – that wonderful stand-by for so many European films. Over the course of my fifty-plus years on this planet, I have been to my fair share of these (usually tedious) soirees, and none have been anything like the ones pres...