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If compared to the recent batch of high-profile live action remakes of animated classics, Mulan is a unique case. When it comes to baggage, it has the lightest load. Beauty & the Beast, Aladdin, and The Lion King all made more than $200M during...

P2 is a serviceable gore-minded thriller - a competent execution of a premise that ultimately becomes hampered by its inherent constraints. For about the first two thirds of the roughly 90 minute running time, this is a solidly made motion picture...

At least the werewolves in Red Riding Hood have teeth and, when in human form, they don't parade around shirtless. Alas, wearing the PG-13 like a Scarlet Letter, the movie advertises an absence of true horror. Even Lon Cheney Jr.'s Wolfman was scar...

The apocalyptic scenario is one that nearly everyone born after 1945 has had to consider at one time or another. From the '50s through the '80s, it was the potential of a nuclear holocaust. Now, it's terrorism. Living with the ongoing possibility ...

Rise of the Planet of the Apes represents Fox's attempt to reinvigorate a dormant franchise. The new movie is technically a prequel to the 1968 Planet of the Apes; however, it ignores the various sequels and spin-offs (including a TV series) that d...

Robots is every bit as visually engaging as the best of the Pixar (or Dreamworks) digitally animated fare. The landscapes are stunning, the characters are intricately formed, there's plenty of break-neck action, and Robin Williams provides a helpi...

Once you get past all of the wild camera tricks and visual gimmickry, you arrive at the core of The Rules of Attraction and find out that it's really about something other than replicating the party life at a New England college. Working from his ...

Sinister 2 falls in line with a majority of the horror films being produced today (especially those with numbers next to the titles): uninspired regurgitations that exist solely to make a few quick bucks from a ravenous (and often undiscriminating) a...

“Someday, my prince will come…” So sang Adriana Caelotti in the Depression-era classic, Snow White and the Seven Dwarfs, the film that proved Walt Disney was more than Mickey Mouse. Some 90 years later, amidst a wave of cash-grabs that have ...

One of the great benefits of a strong worldwide communication web is the ability to explore corners of the cinematic universe previously unavailable. Despite having a recognizable international cast, a well-known director, and a story that wou...