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2014’s Kingsman: The Secret Service achieved a surprising level of success not because it offered anything groundbreaking but because its anarchic energy and deadpan wit made familiar story elements seem fresh. For the sequel, The Golden Circ...

Kingsman: The Secret Service is to the '60s British spy movie genre what Kick-Ass is to today's motion picture superhero movement. Part homage, part cartoonish spoof, and part high-energy actioner, Kingsman feels right at home with the likes ...

Entries into the so-called “Sony Spider-Man Universe” continue to disappoint. Even the best of these has not been very good and Kraven the Hunter is far from the best (it’s not the worst either, though). For those looking for silver linings,...

Last Breath has epic potential but opts instead to present its gritty survival story with as little fat as possible – so little, in fact, that it cuts too close to the bone at times. Based on a true story, it tracks its documentary source materi...

When it comes to historical epics from director Ridley Scott, you never quite know what you’re going to get. On the one hand, he has crafted such gripping, compelling films as the Oscar-winning Gladiator and the tragically overlooked Kingdom...

If Vin Diesel is looking for a third franchise to add to his resume, The Last Witch Hunter might be considered a “safe” option. His character, Kaulder, an 800+ year old warrior for the forces of good, doesn’t require Diesel to step ...

The niche occupied by Lawless is a precarious one. Too erudite for the average action/thriller-oriented moviegoer and too pulpy for the art house crowd, this intense, brutal drama may struggle to find an audience. A fictionalized account of the lif...

Layer Cake is the latest in the recent cluster of British gangster/caper films begun by Guy Ritchie's Lock, Stock and Two Smoking Barrels. Matthew Vaughn, the director and co-producer of Layer Cake, held the producing credit for Lock and Ritchie's...

Layer Cake is the latest in the recent cluster of British gangster/caper films begun by Guy Ritchie's Lock, Stock and Two Smoking Barrels. Matthew Vaughn, the director and co-producer of Layer Cake, held the producing credit for Lock and Ritchie's...

Let Me In is the English-language remake of the 2008 Swedish film Let the Right One In. From the beginning, there has been controversy associated with the "Hollywood-ization" of an edgy, ambiguous vampire tale because many die-hard adherents belie...