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I can hear the pitch now: “It’s like Bullet Train, only on a plane.” And there you have it – a low-rent version of the 2022 David Leitch thriller except, instead of speeding across Japan, this time things are happening in the not-so-friend...

Despite some great acting, Film Stars Don’t Die in Liverpool is a largely unpleasant viewing experience and the downbeat tone isn’t helped by a narrative that flits back and forth in time without rhyme or reason, sometimes confusing the vie...

Despite embracing the tropes one associates with the Western, Michael Matthews’ Five Fingers of Marseilles transpires in an atypical locale: post-Colonial South Africa. Matthews reaffirms what Sergio Leone identified – the Western doesn’...

The Forest is a low-budget horror film that arrives in January with the usual low expectations associated with early year releases. Considering the movie’s undistinguished profile and limited marketing, it seems unlikely The Forest will gain mu...

The Fountain is Darren Aronofsky trying to be Stanley Kubrick. However, while Aronofsky is able to match Kubrick frame-by-frame for ending ambiguity, that's one of the few areas in which The Fountain keeps pace with 2001. Technically, this is an im...

This is what happens when a successful indie documentary filmmaker gets sucked in by the Hollywood system. As one can guess from the number of writers involved in this project, Four Christmases is wildly uneven, veering from screwball comedy to wo...

Freakier Friday isn't a good movie, but it doesn't really intend to be. That's because Disney's late-to-the-party sequel to its 2003 remake of the earlier 1976 version (itself adapted from the book by Mary Rodgers) is pure product without a hi...

As a comedic satire of gaming and an offbeat romantic comedy, Free Guy is amiable and entertaining, if a little too long (an unfortunately common problem among big-budget movies in the 2010s and 2020s). When it comes to the film’s “deeper�...

Spoiler warning: Although this is a documentary chronicling an historically-established event, I am aware that some potential viewers may not be aware of how things turned out. This review candidly discusses the results so those who wish to pr...

What happens when you cross The Brothers Grimm with David Lynch, and throw in a little Quentin Tarantino for good measure? The result, or something very much like it, can be found in Matthew Bright's brilliant, incisive satire, Freeway, which upda...