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It has long been my opinion that Hollywood is more fascinated by the subject of exorcism than the public in general. The Exorcist did for this horror subgenre what Jaws accomplished for sharks. Sure, there have been sequels and knock-offs, but no...

If one was to ask Morgan Neville, the award-winning director of Roadrunner (full title: Roadrunner: A Film about Anthony Bourdain), what the movie is about, he would likely respond something along the lines of “the life of celebrity chef, ad...

Ultimately, it's of minor import how much of Rob Roy is based upon historical fact and how much has been embellished by the pen of screenwriter Alan Sharp. As a hero of 18th century Scotland, Robert Roy MacGregor is known to have walked through th...

Robocop was among the biggest surprises of 1987 - a sci-fi action film with a silly title that turned out to be a biting satire of big business practices. A tribute to the perspicacity and skill of director Paul Verhoeven, Robocop is capable of sa...

2014's iteration of Robocop is a kinder, gentler version of Paul Verhoeven's 1987 sci-fi orgy of violence. The storyline has been trimmed and reworked to allow it to slide under the PG-13 bar. That means a brutal torture/murder sequence is no more ...

It seems that once every dozen-or-so years, Sean Connery has the urge to go back into Bondage. After turning in his tuxedo and Aston Martin following 1971's Diamonds Are Forever, Connery ventured into the acting market as a free agent. His v...

“A long time ago in a galaxy far, far away…” Perhaps those words don’t mean as much as they did a couple of decades ago but they still have the capacity to raise goose bumps. And, although Rogue One, the first so-called &ldqu...

Based on the evidence at hand, one has to assume the missing ingredient is Edgar Wright. Wright, the co-writer and director of Shaun of the Dead and Hot Fuzz, is nowhere to be found in the credits list of Run Fatboy Run. Instead, on this occasion...

The memory is not to be trusted, at least insofar as movie evaluation is concerned. When I first saw The Running Man in theaters more than 30 years ago, I believed it to be firmly rooted in the “dumb entertainment” category where many of t...

It's hard to think of a sadder commentary about Hollywood's sequel fetish than the existence of Rush Hour 3. Dull, uninspired, and redundant, this third pointless movie in an action/comedy franchise that defines mediocrity doesn't even try to disg...