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In transitioning Sex and the City from the small screen to the big one, filmmaker Michael Patrick King (who was also one of the HBO show runners) chose not to make the movie inclusive. This is for the fans, and only for the fans. Those who lived a...

"Movies for fans" (as distinguished from "fan-made movies") - motion pictures targeted primarily at aficionados of a series and secondarily at the public - have been around for decades, but never has one been as openly dismissive of the general mov...

Two fundamental problems afflict Sex Tape (aside from the fact that it's not consistently funny): a shocking ignorance about the state of modern technology and a mistaken belief that the subject matter is inherently edgy. The screenplay is disappoi...

The first salvo in the battle of the would-be autumn family blockbusters has been fired by Dreamworks. Beating The Incredibles to the screen by more than a month, Shark Tale represents the fourth digitally animated feature to come from the studio ...

There are a variety of ways one can evaluate the effectiveness of standard-order romantic comedies. Mine is to ask three questions: (1) Do I like the characters? (2) Do I sense chemistry between them? (3) Am I rooting for them to be together at t...

Schlock Holmes is too brutal. Call it instead The Adventure of the Da Vinci Code Knock-off or The Adventure of the Missing Ending. Either would be equally appropriate. This original story, which borrows heavily from Sir Arthur Conan Doyle's "can...

Ever since people saw him in a tuxedo in Croupier, Clive Owen was considered the likely successor to Pierce Brosnan as James Bond. It remains unclear whether the producers passed over Owen in favor of the lesser known Daniel Craig or whether (as s...

For his fifth full-length "documentary," Michael Moore turns his attention to another hot-button issue: health care in the United States. The points he makes - that the health care system is badly broken and other countries accomplish what we have...

Sideways is from Alexander Payne (Election, About Schmidt), whose films simultaneously satirize and observe life in America. Unlike David Lynch, who uses saws and butcher knives to dissect the American dream, Payne prefers a scalpel. Lynch often ri...

By any standards, Silk is a bad movie: pretentious, stillborn, devoid of emotion. It’s a perfect example of how awful direction and performances can ruin an adequate screenplay. Granted, what’s on paper isn’t perfect and it contains a number...