ReelViews for R movies

Innocent Voices tells a very personal story wrapped within a larger political context. Based on the memoirs of co-writer Oscar Orlando Torres, the film hearkens back to the 1980s and the brutal civil war that devastated El Salvador. Much like in ...

A perusal of the Coen Brothers' filmography reveals a penchant for the offbeat and absurd. They almost never do anything conventional, which makes Inside Llewyn Davis surprising. A Valentine to late-'50s and early-'60s folk music (pre-Dylan), the m...

With so much talent involved - both in front of and behind the camera - one has a right to anticipate something special from Inside Man. Does it deliver? Spike Lee's latest joint is a workmanlike thriller that provides solid performances; a mixtur...

The International possesses the look and feel of a thriller, but not the heart or soul of one. With a cold, clinical precision, director Tom Tykwer establishes the complex narrative and weaves in a few extraneous action sequences, but it's an exerc...

Interview is a remake of the 2003 Theo Van Gogh film of the same name. Van Gogh, who was murdered in 2004 by a Muslim extremist, had planned to helm the English-language version himself. In his absence, Steve Buscemi stepped in. The finished prin...

Francis Ford Coppola's Dracula. Mike Nicols' Wolf. Kenneth Branagh's Frankenstein. Suddenly, horror of the old genre (as opposed to the '80s slasher flicks) is back with a vengeance. The latest, and arguably the most ambitious, to enter this p...

There's something seductive about the idea of turning one's back on civilization and all its trappings. Many of us entertain this thought during a daydream or in those gentle minutes between wakefulness and sleep, but we don't view it as the act of...

Introducing the Dwights is a coming of age story that (thankfully) doesn't play coy with issues of sexuality. The film, from Australian director Cherie Nowlan, doesn't always move smoothly (it has a tendency to jump around a little, especially in ...

After watching Intruders, I was forced to ponder a question: Why do so many horror movies that begin with promise fall apart in the final act? Intruders is the latest example of what has become a trend: scary films adept at drawing viewers in but i...

Aside from the title, the basic concept, and the use of the surname “Griffin,” Leigh Whannell’s “reboot” of The Invisible Man bears little resemblance to the 1933 classic Universal monster movie and even less resemblance to the 1897 ...