ReelViews for R movies

In Secret, an adaptation of Emile Zola’s Therese Raquin, is an effective period piece thriller that incorporates love, lust, desperation, and madness into a stew thickened by a gothic atmosphere. The film’s shortcomings - the most notable of wh...

In the Bedroom is arguably one of the year's most anticipated independent releases - a movie whose incessant buzz at Sundance carried it at the crest of a wave to Toronto, then placed it in theaters before the end of the year. For those unable to ...

In the Company of Men is one of those rarest of rare breeds -- a movie that doesn't just ignore Hollywood conventions, but openly flouts them. The film, which premiered to great critical acclaim at 1997's Sundance Film Festival, initially had trou...

Although the events depicted in Fatih Akin’s In the Fade are fictional, their implications and consequences are grounded in reality. Terrorist events are becoming sadly commonplace and, although news reports focus on the immediate action, ra...

Since Liam Neeson began his action star career with Taken, most of his play-for-pay films have been depressingly generic. Although far from a revelation, In the Land of Saints and Sinners rises above many of those. Perhaps that’s because the...

In 1963, Frank Horrigan was among the "best and brightest" of the Secret Service, the personal choice of President Kennedy. On November 22 in Dallas, an afternoon that Horrigan will never forget, he became one of the few living agents to lose a pr...

Dancing along a line just shy of the edge of brilliance, In the Loop possesses an incisive, take-no-prisoners comedic style that offers plenty of solid laughs while making a point about the stupidity, selfishness, and lack of awareness that exists ...

A glance at Paul W.S. Anderson’s filmography does not inspire confidence, and that concern is proven valid for In the Lost Lands. Watching this production is a strange, almost surreal, experience because at no point does it seem like a movie eve...

Sometimes it's only through the greatest of tragedies and the gravest of injustices that human beings learn to relate to each other honestly and openly. Nowhere is this more apparent than in Jim Sheridan's searing In the Name of the Father, where ...

The last scene of In the Valley of Elah may be the most ridiculously ham-fisted and over-the-top moment in all of 2007’s supposed prestige cinema. This image is so blatant and cheesy that it makes one wonder whether director Paul Haggis’ succes...