ReelViews for R movies

Somewhere, buried within the innards of writer/director Kim Nguyen’s The Hummingbird Project, is the skeleton of a compelling techno-thriller. Unfortunately, Nguyen overreaches in attempting to add an element of meaning to what works best a...

As a piece of social satire, it could be argued that The Hunt runs too long. A similar complaint could be made about this as a horror/thriller property. As pregnant as the promise may be, there’s not quite enough to fill the full 90-minute r...

Hunter Killer is not going to challenge Das Boot for the title of “best submarine warfare film of all time.” By tossing aside the reliable characteristics of the genre (claustrophobic atmosphere, sense of isolation, simmering tension), di...

In recent years, as cloning has become more readily accepted in popular and scientific circles, proposals (some more fantastical than others) have been suggested about how to return extinct species to the planet. Some, like using the DNA of a prese...

Hurlyburly is a talky film - the entire movie is constructed around lengthy sequences of dialogue where the characters talk and talk and talk, often saying nothing. However, because the vocal rhythms are so perfect, the words are so well-chosen, a...

"Hate put me in prison. Love's gonna bust me out." Those words, spoken by Rubin "Hurricane" Carter (Denzel Washington), form the thematic foundation of Norman Jewsion's latest film, The Hurricane. Alternatively tragic and triumphant, it is an ex...

I guess this is what narcissism looks like. Or at least a vanity project run amok. It’s a pity because I enjoyed director Trey Edward Shults’ 2017 horror movie, It Comes at Night. But this isn’t really about Shults; it’s about The Weeknd. ...

War is hell. It's a cliché, but not one that Hollywood often embraces. There are exceptions, of course, like Oliver Stone's Platoon, which takes no prisoners in depicting war as the gruesome, dehumanizing business it is. But Platoon and other f...

Hustle & Flow takes a clich? and imbues it with new life through the virtues of directorial flair and talented acting. For most of its running time, Hustle & Flow follows familiar patterns, deviating only during a third act that brings the street'...

I have occasionally wondered what Showgirls might be like if it was made by a female director. Perhaps Hustlers offers a glimpse of the tantalizing possibility. Existing close to the nexus of the oft-derided Paul Verhoeven film and Martin Scor...