ReelViews for R movies

Recently, Spike Lee was in the news feuding with Clint Eastwood about the absence of black servicemen in Eastwood's recent Iwo Jima duology. According to Lee, Eastwood ignored history in Flags of Our Fathers and Letters from Iwo Jima by not making...

When it comes to horror films, there's one basic principal to consider: consistency means everything. A movie can deviate as much as the filmmakers like from the laws of the real world as long as they establish and adhere to an alternate set of ru...

It's Friday the 13th - Figures. Where's Jason when you need him? In order to see Miss March, which was not screened for critics, I spent 90 minutes trapped in a multiplex auditorium on the day it opened. For about the first half-hour, I tried ...

With a movie like this, it’s necessary (however difficult) to put politics aside. Despite what the blurbs say, Miss Sloane isn’t really about the Second Amendment. It isn’t about gun rights; it’s about how easy it is to peddle...

The Mist is what a horror film should be - dark, tense, and punctuated by just enough gore to keep the viewer's flinch reflex intact. In fact, that movie's ending is so uncompromising that one must assume director Frank Darabont had final cut so t...

Despite clocking in at a skinny 84 minutes, Mistress America overstays its welcome. Directed by Noah Baumbach and co-written by Baumbach and ex-mumblecore goddess Greta Gerwig, the film is characterized by long passages of self-conscious dialogue tha...

When it comes to using dialogue as a mechanism to drive a movie, few (not named David Mamet) are better than Aaron Sorkin with his rat-a-tat-tat approach and ability to craft monologues as living things. After having had a hand in writing some...

Serene. Beautiful. Untouchable. All of those words can be used to describe the subject of Leonardo Da Vinci's best-known painting, "The Mona Lisa." And, while almost everyone knows what she looks like, no one knows her story. Her life is a bla...

Money Monster wants to be more than just another mindless thriller. By building its foundation on a message about the dangers of playing the stock market roulette wheel, it seeks to inject substance into a genre overrun by action-driven popcorn films...

Monkey Man, the feature directorial debut of actor Dev Patel, is a blood-soaked revenge tale with a high body count that refuses to pull its punches to make the protagonist more likable. Although generally following a superhero “origin story” ...