ReelViews for R movies

The Monkey is in possession of a great trailer that the actual film doesn’t quite live up to. Nevertheless, Osgood Perkins’ radical reimagining of the Stephen King short story is plenty entertaining in its own right for those with a sufficient...

An understanding of how society uses - and, more importantly, misuses - the term "monster" offers crucial insight into the intentions of first time filmmaker Patty Jenkins. Without offering justifications or excuses, Jenkins seeks to provide some ...

Who said science fiction films have to be expensive? According to multiple sources, the total production cost for Gareth Edwards' feature debut, Monsters, was south of $20,000. That's a remarkable achievement for a movie whose subject matter invo...

Monster's Ball is a powerful and poignant motion picture not about racism and redemption, as one might initially suppose, but about one of the most urgent and universal of human needs - that of finding solace for pain and loneliness. Though it has...

The wide-open vistas and panoramic views of snow-capped mountains stand in contrast to the small, deeply personal drama that represents the core of Scott McGehee and David Siegel’s Montana Story. The grandeur of Big Sky Country, captured wit...

Each of the three "official" Monty Python movies has its own distinguishing quality. The first, 1975's Monty Python and The Holy Grail, is arguably the funniest and (in some ways) the silliest. The last, 1983's The Meaning of Life, is the most un...

Moon illustrates a truism forgotten by Hollywood: the best science fiction films are about something. This film does not feature explosions. It does not contain endless, mind-numbing chase sequences. Instead, it's a simple idea-rich storyline th...

On the surface, Moonlight presents three formative episodes in the life of a gay black man, but taking such a bird’s eye view of the film misses all the details and nuances. Although Barry Jenkins’ film is indeed about the struggles and d...

If Mogan’s DNA exhibits traces of Blade Runner, it’s not coincidental. The film’s director is Luke Scott, Ridley’s son, and the same questions about artificial intelligence, sentience, and humanity can be found in this movie. ...

Mortal Kombat was made with fans in mind and, as such, it has little time or patience with those who come to it without the prerequisite background. 40% fight scenes and 60% fan service, Simon McQuiod’s slash-and-gore fest will leave the uni...