ReelViews for R movies

Argo proudly bears the "based on a true story" label, and this is one occasion when the caption is important to how the movie is perceived. Often, this is a meaningless citation but, when documenting historical events such as the ones depicted here...

Arizona illustrates that, if a filmmaker intends to make a comedy-thriller, (s)he would be better served by emphasizing either the humor or the suspense, not trying to walk some invisible line down the middle. By choosing the latter option, f...

There's no doubt that the subject matter tackled by Arlington Road is topical. Terrorism at home is a very real danger in this current climate of world uncertainty, and, arguably, a greater danger is posed to U.S. security by radical political gro...

Everyone has their own coming-of-age story. For most, it has meaning for only one person; it’s rare that a coming-of-age experience translates into a universal story. Kenneth Branagh’s Belfast is an example of one that does. James Gray’s Arm...

To give director John Stockwell and screenwriter Matt Savelloni, at least Armed Response isn’t the generic shoot-’em-up I was expecting. There are some legitimately intriguing ideas explored in the film and, familiar though the concept of ...

Ash (Bruce Campbell) is a housewares salesman at an S-Mart department store before a venture to the house from The Evil Dead and The Evil Dead II sends him through a time tunnel into the Middle Ages. Suddenly, as the "Promised One" of prophesy, he i...

Army of the Dead isn’t director Zack Snyder’s first dance with the undead. His feature debut, 2004’s Dawn of the Dead, had him remaking the George A. Romero horror classic. 17 years later, after spending a significant portion of his film...

Art of Love, which started life with the title Simone, starts out as something different from how it finishes. It’s a tale of two halves. The first 45 minutes represent a whimsical journey of love as a shy young woman plays a cat-and-mouse g...

For Art School Confidential, director Terry Zwigoff has re-teamed with Daniel Clowes for an offbeat and bitingly satirical look at the college era coming of age story. Considering Zwigoff's resume, which includes Bad Santa and Ghost World (based o...

Ash doesn’t claim to be a re-imagining of John Carpenter’s version of The Thing, but one would have at least expected some sort of credit to be given to the 1982 movie. The earlier film’s DNA is so deeply infused into this production that it...