ReelViews for R movies

Edgar Wright’s Baby Driver seeks to inject a dose of high octane into a heist film while illustrating how it’s possible to make a car chase exciting in an era when few action staples have become more boring and predictable. The film also s...

In interviews, writer/director Halina Reijn has indicated that inspirations for Babygirl included the ‘80s/’90s psychosexual thrillers of Paul Verhoeven and Adrian Lynne. Consequently, it will come as no surprise that, while watching this movi...

Babylon has arguably the best first hour of any 2022 motion picture. Kinetic, frenzied, and energetic, the opening party enraptures with its soaring images and percussive music. (Courtesy cinematographer Linus Sandgren and composer Justin Hurwitz ...

Two elements comprise a comedy: content and composition. The first relates to what the joke is about; the second refers to how the joke is told. Good humor can be ruined by bad composition - think of someone who tells a "funny story" but messes up ...

Sometimes a movie is so good it makes me glad I'm in the business of writing reviews. Bachelorette is not one of those. Sometimes a movie is so bad it makes me want to go into seclusion and never see another film. Bachelorette is one of those. ...

If the recent spate of bio-pics of musical stars imparts one lesson, it’s this: artists should be remembered for their work not for the Hollywood-ized retellings of their lives. Back to Black is the latest endeavor by the motion picture industry...

"We're gonna be too big for Hamburg. We're gonna be too big for Liverpool. We're gonna be too big for our own bloody good." - John Lennon, Backbeat Oliver Stone probably loves this film. Not only is Backbeat a story from "his" era, the ear...

Calling Backrooms "horror" is probably a misnomer. Although there are horror elements to be found in Kane Parsons' feature debut, this is more of an existential mind-fuck than anything else. The film exists not so much to unspool a story as to gen...

48 Hours, Beverly Hills Cop, and Lethal Weapon were all, to some extent, reasonably entertaining action films. The unavoidable result of their success has been a long string of sequels and rip-offs. The latest is Bad Boys, an overlong sample ...

Has the passage of 18 years and the removal of Michael Bay from the director’s chair revived or redeemed the roadkill represented by the previous Bad Boys sequel? To a certain extent, yes, but only when one considers that the third installme...