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An astonishing motion picture by any standards, To Kill a Mockingbird only failed to win a Best Picture Oscar because it was in the running against Lawrence of Arabia. The minimalist might call this a "courtroom drama", but that would be selling t...

It should be noted that Terrence Malick's failures tend to be more interesting than many directors' successes. To the Wonder is not a complete package. Crafted with what can best be described as "a European sensibility," it's heavy on visuals and ...

It's not Casablanca, or even Die Hard, for that matter. But then no one expected it to be. What Tomb Raider can claim is that it's the best computer game-turned-motion picture to date. A backhanded compliment? To be sure, but at least the exper...

Tomb Raider: The Cradle of Life arrives stillborn, the misbegotten offspring of filmmakers who are so greedy that they probably wouldn't hesitate to plunder a grave or two. I would be tempted to recommend this movie as being entertainment of the "...

While watching Chris Farley, still at the top of his game, perform in Tommy Boy, it’s easy to ignore how fundamentally bad the overall movie is. A card-carrying member of the bloated, frat-boy comedies that plagued theaters during the early 1990...

Tomorrowland is an interesting collage of moments and ideas in search of a strong narrative and a coherent ending. For a while, it doesn't matter that the plot meanders. The story seems like a jigsaw puzzle inviting us to solve it. That's the...

Tootsie works for three reasons: a sharp screenplay, good comic timing, and delightful performances. There's nothing deep or philosophical about the film. It doesn't try to solve the world's problems or uncover some great social truth. It's a ge...

Top Gun is an ‘80s testosterone fix – a celebration of machismo and a recruiting film for the U.S. Navy. Typical of Jerry Bruckheimer/Don Simpson at their peak, the movie embraces masculine tropes to create a patchwork narrative that is almost...

Top Gun: Maverick is one of those rare breeds: a sequel that’s better than the original. Due in part to the passage of 36 years in between installments, the second film arrives with a less glossy, more serious approach. Cold war rah-rah machismo...

It's a hard thing for a filmmaker, even an accomplished one, to make a project "his own" when the original is well remembered as a vehicle for a star as big as Arnold Schwarzenegger. A mere 22 years have passed since the Schwarzenegger/Paul Vehoeve...