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True Grit, one of the best films of 2010, is a reminder of why remakes are not always bad. The Coen Brothers' interpretation of the 1968 Charles Portis novel is superior in almost every way (except one) to the 1969 Henry Hathaway edition. And, whil...

Truman Burbank (Jim Carrey) is the star of the most popular show in the history of television. For 10,909 days, it has been on the air, using 5000 cameras to show every moment in every day of the life of one man. The public loves it -- there ...

Remaking movies is always a risky endeavor, and remaking a classic can border on the foolhardy. Taken on its own terms, however, Jonathan Demme's The Truth About Charlie, a '00s re-interpretation of the 1963 thriller Charade, is a decent – and e...

With a studio as prolific as Blumhouse, whose mission is to prioritize profit over quality, there are bound to be occasional duds. To date, however, nothing with producer John Blum’s name attached has been quite as creatively bankrupt as Tru...

Twilight may end up being the most disappointing film of 1998. It certainly holds that distinction to date, but I'm aware that there are ten months left in the year. And let me emphasize that by "disappointing," I mean something that falls drasti...

From the outside looking in, I was dubious about how the filmmakers behind Twisters were going to handle a sequel-not-sequel to the 1996 blockbuster, Twister. With Bill Paxton dead and Helen Hunt not participating, there seemed to be no real p...

Two for the Money starts as a high voltage drama about the underbelly of the sports business - the multi-billion dollar gambling industry. The movie takes us into the warts-and-all world of 1-900 numbers and internet betting sites, bringing us on-...

With Two Lovers, director James Gray has remained geographically within his comfort zone (New York City), but has moved textually away from the crime and corruption-laced stories that have marked his previous efforts. This is strictly a character-...

Hollywood, it seems, has lost the knack of how to make a good romantic comedy. The best two such films of 2009, Adventureland and (500) Days of Summer, have come down the indie trail. The major studios are unwilling to fund any production that do...

For a while, The Unborn unfolds like a nice little PG-13 horror film should: a dash of atmosphere, a heroine who spends lots of time in her underwear, a general sense of enhanced creepiness, and an effective "boo!" moment or two. Then it commits a...