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In the late 2000s and early 2010s, the cinematic YA flame burned hot and bright but, like many such fires, it quickly exhausted its fuel and was snuffed out by fatigued and uninterested audiences. Although YA novels continue to generate health...

Freedomland is one of an increasingly endangered species: the adult movie that's about something. By "something," I mean a serious issue - the kind of thing films shy away from for fear of alienating viewers. Underneath the trappings of a police ...

The first thing I noticed was the mud. Even more than the copious blood and violence, it represents the defining visual element of Fury. It's everywhere. Feet are caked with it. Tires and treads churn it under. Roads - if they can be called that - ...

When considering the meaning of the title Good Time, I was reminded of Dickens: “It was the best of times, it was the worst of times…” In the case of these characters, the former doesn’t apply. Good Time is an atmosphere-driven thrille...

Wow. If ever there was a case to be made for 3-D as a valuable cinematic tool, Alfonso Cuaron has made it. Put alongside Avatar and Hugo (with honorable mentions going to Prometheus and Life of Pi), Gravity shows the power of 3-D when applied ...

For more than three decades, How the Grinch Stole Christmas has been a holiday season television staple. The 22-minute cartoon, based on the book by Dr. Seuss and narrated by Boris Karloff, has enchanted multiple generations of children (not to me...

Last Night in Soho has a great hook and starts out looking like it’s going to do something compelling with that hook. Unfortunately, as is too often the case with promising horror films, this one devolves into a disappointing mess toward the...

Oh, Hi! can best be described as an interesting failure. The underlying idea seems promising: start out the movie as a standard-order rom-com then shift into Misery territory. Make the whole thing a dark, twisted comedy that offers commentary on t...