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For as long as humans have existed, the bravest of their number has sought to explore boundaries and expand vistas. Whether the New World, the Arctic and Antarctic, the peaks of great mountains, the bottom of the ocean, or the vastness of spac...

American Assassin is as generic an espionage thriller as you’re likely to find. Leaving no cliché unturned and offering a roster of predictable “twists” and unsurprising “surprises”, the production seems more like it was assembled f...

Edgar Wright’s Baby Driver seeks to inject a dose of high octane into a heist film while illustrating how it’s possible to make a car chase exciting in an era when few action staples have become more boring and predictable. The film also s...

Carol is a haunting motion picture - the kind of film that stays with the viewer long after the multiplex’s neon signage has disappeared from the rear-view mirror. Despite having a deceptively simple storyline, the film is entirely unlike any o...

There's a skill to adapting a novel that not all filmmakers have. This is especially evident if a book is not inherently cinematic and requires more "massaging" to shape it into a form capable of fitting comfortably into a two-hour time...

The Color of Money is a good movie, but perhaps not a good sequel. In revisiting the shady, obsessive world of former pool shark Fast Eddie Felson (Paul Newman), Martin Scorsese provides us with a character so different from the one found in Rober...

In the late 2000s and early 2010s, the cinematic YA flame burned hot and bright but, like many such fires, it quickly exhausted its fuel and was snuffed out by fatigued and uninterested audiences. Although YA novels continue to generate health...

Freedomland is one of an increasingly endangered species: the adult movie that's about something. By "something," I mean a serious issue - the kind of thing films shy away from for fear of alienating viewers. Underneath the trappings of a police ...

The first thing I noticed was the mud. Even more than the copious blood and violence, it represents the defining visual element of Fury. It's everywhere. Feet are caked with it. Tires and treads churn it under. Roads - if they can be called that - ...

When considering the meaning of the title Good Time, I was reminded of Dickens: “It was the best of times, it was the worst of times…” In the case of these characters, the former doesn’t apply. Good Time is an atmosphere-driven thrille...