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The second Shazam! movie, sequel to the 2019 modest success, is an undercooked casserole of cliched narrative elements, underdeveloped characters, juvenile humor, and a deus ex machina cameo. It embodies all that’s bad about modern superhero mov...

By any standards, Silk is a bad movie: pretentious, stillborn, devoid of emotion. It’s a perfect example of how awful direction and performances can ruin an adequate screenplay. Granted, what’s on paper isn’t perfect and it contains a number...

The Sitter fits neatly into the mediocre, generic comedy category - a classification reserved for films that are neither funny enough nor raunchy enough nor smart enough to do more than consume time and dull the senses. One could argue that these a...

Let's start out by not dwelling overmuch on the existence of Mirror Mirror. The basic story outline may be the same, but the similarities end there. Everything of importance is different: tone, intent, plot specifics, and so forth. Mirror Mirror is...

"People ask if this film is autobiographical, and many of the circumstances in it are but I've pushed them farther than they really went. It's personal, but not completely autobiographical. It was common in my home and my friends' homes to s...

There’s little doubt that the films of Andrei Tarkovsky represent an acquired taste. The celebrated Soviet filmmaker’s style is so antithetical to modern cinema that it requires patience and stamina to become involved in any of his picture...